Coinciding with the production of Venus and Adonis at Civic Theatre as part of the Dublin Shakespeare Festival, there will be a workshop for professional actors on ‘Divining Shakespeare’. Further details on the theatre website:
DATE & TIME: Thursday 5 October // 10am – 6pm
LOCATION: Main Auditorium
TICKETS: FREE when you buy a full price ticket for Venus and Adonis
TO BOOK CALL 01 4627477
As part of an ongoing commitment to the support of and engagement with professional theatre artists, the Civic Theatre will host a dedicated professional workshop.
‘Finding the truth through the verse’ lies at the heart of the puzzle of how to act Shakespeare. Hamlet gave the single clearest command when he instructed the players to speak it ‘trippingly on the tongue’, but what does that really mean? Are there specific techniques or approaches that empower the actor to merge with often dense, multi-layered text, to seem as if both are freshly coined together? This workshop will explore these and many other issues, including how our actors are born to play Shakespeare – but only if they stay true to being Irish first.
The workshop is open to professional actors only and is facilitated by Civic Artistic Director, Michael Barker-Caven. Michael is an internationally acclaimed theatre, musical and opera director who has worked extensively in London’s West End and directed dozens of award-winning shows in Ireland over the past 20 years. Michael has a lifelong love of Shakespeare with acclaimed productions of Richard III, Macbeth and Venus & Adonis to his name to name but a few.
Adequate time for meal breaks is given, though participants are responsible for their own meals.
The workshops are limited to 16 participants.
Suitable for professional actors only.
Minimum age requirement is 18 years old.
The workshop is free when you buy a ticket to Venus and Adonis at the Civic Theatre. Buy Tickets here.
Venus and Adonis, Royal Shakespeare Company in association with Little Angel Theatre, UK
Oct 3 & 5, 8pm Oct 4 & 7, 3pm & 8pm Oct 6, 5pm & 8pm
A unique version of Shakespeare’s kaleidoscopic poem using narration, music and puppetry. This little-known gem was Shakespeare’s first bestseller, weaving together comedy, tragedy and beautiful poetry to tell the raunchy story of Venus and her obsession with handsome Adonis.
Shakespeare Studies is one of the most rich and dynamic areas of interdisciplinary enquiry. It embraces historical explorations of Shakespeare’s canon, ranges across four hundred years of world theatre and performance history, and is continually renewed by Shakespeare’s iconic status in contemporary culture, film and media. Shakespeare draws together academics, teachers, theatre professionals, practitioners, readers and enthusiasts. At the same time, Shakespeare is a global commodity, reinvented in every culture and nation, meaning that his work prompts world-wide conversation. Following on from the 2016 celebrations, the 2018 BSA conference offers an opportunity for academics, practitioners enthusiasts and teachers (primary, secondary and sixth- form teachers and college lecturers) to reflect upon Shakespeare Studies today. What does Shakespeare Studies mean in the here-and-now? What are the current and anticipated directions in such diverse fields of enquiry as Shakespeare and pedagogy, Shakespeare and race, Shakespeare and the body, Shakespeare and childhood, Shakespeare and religion, Shakespeare and economics, Shakespeare and the law, Shakespeare and emotion, Shakespeare and politics, Shakespeare and war and Shakespeare and the environment? What is Shakespeare’s place inside the curriculum and inside debates around theory, queer studies and feminism? Where are we in terms of editing and materiality, and where does Shakespeare sit alongside his contemporaries, male and female? How does theatre practice, performance history, adaptation, cinema and citation figure in ever evolving Shakespeare Studies? In particular, this conference is keen to explore the challenges facing Shakespeare Studies today and to reflect on newer emergent approaches. Reflections on past practices and their reinventions for the future are also warmly welcomed.
Plenary Speakers include: Prof. Pascale Aebischer (University of Exeter), Prof. Clara Calvo (University of Murcia), Prof. Richard Dutton (Queen’s University Belfast), Prof. Courtney Lehmann (University of the Pacific) and Prof. Ayanna Thompson (George Washington University).
UK Premieres include: Veeram (dir. Jayaraj, 2016), a South Indian film adaptation of Macbeth, and Hermia and Helena (dir. Matías Piñeiro, 2016), an Argentine adaptation of A Midsummer Night’s Dream.
BSA 2018 also includes: Q+As with theatre director Andrea Montgomery (The Belfast Tempest, 2016) and film directors Jayaraj and Matías Piñeiro.
There are four ways to participate in BSA 2018:
‘Digital Shakespeare: Histories/Resources/Methods’ led by Dr Stephen O’Neill (Maynooth University);
‘Shakespeare and Act/Scene Division’ led by Dr Mark Hutchings (University of Reading);
‘Shakespeare and the Book Today’ led by Prof. Emma Smith (Hertford College, Oxford);
‘Shakespeare and his Contemporaries’ led by Dr Lucy Munro (King’s College, London);
‘Shakespeare and Early Modern Playing Spaces’ led by Prof. Richard Dutton (Queen’s University Belfast);
‘Shakespeare and Europe’ led by Prof. Andrew Hiscock (Bangor University) and Prof. Natalie Vienne-Guerrin (University of Montpellier III-Paul Valéry);
‘Shakespeare and Film’ led by Dr Romano Mullin (Queen’s University Belfast);
‘Shakespeare and Marx’ led by Dr Matt Williamson (Queen’s University Belfast);
‘Shakespeare and Morality’ led by Dr Neema Parvini (University of Surrey);
‘Shakespeare and Pedagogy’ led by Dr Lindzy Brady (University of Sydney) and Dr Kate Flaherty (Australian National University);
‘Shakespeare, Performance and the 21st Century’ led by Dr Erin Sullivan (Shakespeare Institute, the University of Birmingham);
‘Shakespeare and Religion’ led by Dr Adrian Streete (University of Glasgow);
‘Women, Shakespeare and Performance’, led by Prof. Liz Schafer (Royal Holloway, University of London)
A number of Postgraduate / Practitioner / Teacher Bursaries will be available to cover the conference fee. When you submit your abstract / proposal, please indicate if you would like to apply for one of these and if you would like to attend all of the conference or Saturday only.
The BSA is proud to announce its next the locations, institutional partners and themes of its next three conferences:
Shakespeare: Race and Nation, July 2019, Swansea University
Shakespeare in Action, July 2020, University of Surrey
|The BSA is pleased to invite proposals to host our 2021 conference.
To apply, send a completed proposal form to firstname.lastname@example.org
More info: http://www.britishshakespeare.ws/conference/
An Abbey Theatre and Dead Centre Co-production
From the Abbey website:
Grief fills the room up of my absent child
King John, Act III scene IV
William Shakespeare had one son. He named him Hamnet. He then left home to pursue his career in the theatre, effectively abandoning his family. In 1596, he was told that the boy – who was then eleven years old – was seriously ill. By the time Shakespeare reached Stratford, Hamnet had died.
In 1599, Shakespeare wrote a play called Hamlet.
Hamnet is too young to understand Shakespeare. And he is one letter away from being a great man. We are too old to understand Hamnet. How close are we to greatness? We meet in the middle, in a theatre, in purgatory: youth reaching forward to a life it will never know, an audience reaching back to a life it has forgotten.
A solo work for an eleven year old boy, Hamnet uses live video and dead video to bridge the gap between two generations, asking each other what they want to pass on and receive.
Dates: 26 September – 7 October
Previews: 26 & 27 September
On the Peacock stage
Times: Mon – Sat 8pm, Matinees Sat 2.30pm
Tickets: €18 – €25 / Conc. €16 – €20
To book for a group of 6+ call (01) 87 97 266
More information: https://www.abbeytheatre.ie/whats_on/event/hamnet/
The Society for Renaissance Studies is celebrating its 50th anniversary with a series of lectures in Ireland and the UK in early September, on the theme of the five senses.
You are warmly invited to attend the Dublin lecture, by Prof. Eiléan Ní Chuilleanáin (Ireland Professor of Poetry) on ‘Gunpowder and Perfume: The Poetry of John Donne’, which takes place at the National Library of Ireland on Wednesday 13th September at 7pm.
Prof. Ní Chuilleanáin is the seventh Ireland Professor of Poetry and her appointment was announced by President Michael D. Higgins in May 2016. Born in Cork, Prof. Ní Chuilleanáin is an award-winning poet and the author of numerous poetry collections.
Founded in 1967, the SRS “provides a national, and international forum for all those – whether academics, independent scholars, postgraduates and undergraduates, school teachers and students, or members of the general public – who have an interest in any aspect of the study of the Renaissance” (source: SRS website).
21–24 June 2017, 8pm
Balally Players takes Shakespeare’s The Merchant of Venice to St. Enda’s Park Grange Road, Rathfarnham, Co. Dublin for its Summer Shakespeare 2017 presentation.
The play, directed by Fiona Walsh, will be performed outdoors in the Walled Garden, St. Enda’s Park from 21 to 24 June 2017. The performance starts at 8pm each evening and tickets (€14/€12) may be booked at the Mill Theatre Box Office (01-296 9340) or on the Mill Theatre website.
For further details go to www.balallyplayers.com