This week (beginning 18 May) The River-side will post a series of blog posts comprising a student-created online exhibition Mapping Cork: Trade, culture and politics in medieval and early modern Ireland. This online exhibition is curated and overseen by Dr Małgorzata Krasnodębska-D’Aughton, Senior Lecturer, UCC’s School of History and Elaine Harrington, Special Collections Librarian, UCC Library. Four MA in Medieval History students: Andrew […]
“Translation and Transformation in the
Medieval and Early Modern World”
Postgraduate Conference in Medieval and Early Modern Studies
27-29th March 2020
University College Cork
University College Cork is delighted to announce the call for papers for the 24th annual Borderlines conference on the theme of “Translation and Transformation”. Borderlines XXIV invites abstracts of no more than 250 words on the theme of “Translation and Transformation”. Papers will be twenty minutes of length and can focus on one or both concepts.
We welcome submissions from postgraduates and early career researchers in any discipline relating to the medieval and early modern periods.
Borderlines XXIV invites papers that address the social, historical, literary, religious, and cultural significance of translation and transformation. We welcome papers from researchers in the fields of Anthropology, Archaeology, Codicology, Drama, Digital Humanities, Folklore, History, History of Art, Geography, Languages, Literature, Music, Palaeography, Philosophy, and Theology.
Topics may include, but are not limited to:
- Translation and adaptation
- Textual fluidity
- Hybridity of form/perspective
- Transformative experience
- Translation as distortion
- Physical transformation
- Translation ethics
- Cultural inertia
All submissions must be received by 3rd February 2020. Submissions must include: an abstract, short bio, and contact information. All submissions and queries can be directed to: BorderlinesXXIV@gmail.com.
Facebook: Borderlines XXIV Twitter: @BorderlinesIE
From the Rough Magic website.
This month, one of Ireland’s leading theatre companies, Rough Magic will embark on a national tour of Much Ado About Nothing by William Shakespeare.
Set on the deck of a deluxe mobile home this festive production of deception and excess, sparkling wit and linguistic exuberance asks – can we ever truly know the people we love?
On it’s premiere performance in Kilkenny Arts Festival (summer 2019), the Irish Independent called this production “boisterous and intelligent” and “a hugely enjoyable and timeless treat.” The Irish Times gave it ★★★★ and the Kilkenny People called it the “funniest show in the city for years”.
Ticket info available on the weblinks below.
|9th November||Siamsa Tíre, Tralee|
(With a post-show talk on Tues 12th.)
|The Everyman, Cork|
|15th November||Theatre Royal, Waterford|
|18th November||An Grianán, Letterkenny|
|20th November||Backstage Theatre, Longford|
|22th November||Lime Tree Theatre, Limerick|
Directed by: Ronan Phelan
Cast: Clare Barrett, Venetia Bowe, Peter Corboy, Maeve Fitzgerald, Patrick Martins, Margaret McAuliffe, Jack Mullarkey, Shane O’Regan & Conor O’Riordan
Set Design: Sabine Dargent Lighting Design: Sarah Jane Shiels
Costume Design: Catherine Fay Sound Design: Denis Clohessy
500 years ago Archduke Ferdinand of Habsburg arrived in Kinsale, Co. Cork, having been blown off course whilst sailing from Spain to the Low Countries. He and his party spent four days in June 1518 resting and resupplying in Ireland’s southernmost medieval town. The population provided a very hospitable welcome and even more so when they discovered that the Prince was on board. The chronicle of the voyage gives a colourful account of the royal party’s time in Ireland commenting on the dress, culture, and music of the people. Ferdinand succeeded his brother Charles V as Holy Roman Emperor in 1558.
At noon on Saturday 9th June we commemorate this event which connects us to the high politics of Europe. This will involve a short parade along the Pier Road from the Galleon Mast and a recreation of a meeting between the town councillors, townspeople, gallowglasses and the Archduke’s party as took place at the time, followed by complementary historical talks in the Temperance Hall during the afternoon.
Photo opportunities: 10:30am at St. Multose Church and 11am at Desmond Castle
12 noon: A pageant from the Galleon Mast, Pier Road to Market Quay to recreate encounters with townspeople, gallowglasses and poet.
2pm to 5pm: Talks at Temperance Hall (see poster and website below for details.)
For more on this event, see Kinsale.ie here.
For more on Ireland and 1518, see the website here.
Thursday 15th February, 7-9pm
Poetry Ireland, 11 Parnell Square East, Dublin 1.
Tickets: Free, but limited – booking advised. Info from Poetry Ireland website.
The Tudor poet, Edmund Spenser, is not remembered fondly in Ireland, despite his having written most of his major works while living here as a planter and colonial administrator in the late sixteenth century, and despite the interest of W.B. Yeats in his potential uses as an Irish poet. The reasons for this disfavour are all too easy to identify: Spenser’s vicious polemic against both the native Irish and the descendants of the Norman settlers who had become ‘more Irish than the Irish themselves’ (as the saying goes) in his political dialogue, A View of the Present State of Ireland.
But Spenser has been an increasingly noticeable presence in contemporary Irish poetry, prompting exploration not just of the darker moments of Irish history during the plantations, and their implications for Ireland today, but also of the opportunities for reflection and even self-examination his poetry offers an Irish reader – and ultimately, perhaps, a re-evaluation of the usual narratives of the Irish literary tradition.
The School of English, Drama, Film and Creative Writing, University College Dublin and Poetry Ireland invite you to join five poets who have been thinking and arguing with Spenser in their recent work for an evening of discussion and readings: John McAuliffe (The Way In (2015)), Trevor Joyce (Fastness (2017)), Leanne O’Sullivan (A Quarter of an Hour (2018)), Nuala Ní Dhomhnaill (Ireland Professor of Poetry (2001-2004)), and current Ireland Professor of Poetry Eiléan Ní Chuilleanáin (The Boys of Bluehill (2015)).
Tickets: Free, but limited – booking advised here.
The Gaiety School of Acting Shakespeare Schools Programme presents King Lear. A run at Dean Crowe theatre in Athlone has already been completed, with dates remaining in Cork and Dublin cities at Firkin Crane and Smock Alley theatres respectively.
The Gaiety School of Acting – The National Theatre School of Ireland is offering Leaving Cert. students a unique opportunity.
The Gaiety School of Acting is delighted to launch our 2017 production of King Lear. This production will travel to Smock Alley Theatre, Dublin, Firkin Crane, Cork and The Dean Crowe Theatre, Athlone from the 23rd of October to the 1st December.
This is the 5th year of our Shakespeare Schools programme and in 2016 we performed Hamlet for almost 6500 students from 130 schools. This means that almost 1 in every 9 students sitting their leaving Certificate English exams in June will have seen our production. We are excited to once again provide students with the opportunity to see Shakespeare’s work live.
Student tickets are €17 with all teachers tickets complimentary. Included in the ticket price is the following:
- Traditional Production of King Lear (1.5 Hours).
- Workshop (1 Hour) with a chance to engage with some of the cast about questions on the Leaving Cert, including relationships, characters and themes
- Student Workbook with information on General Vision and Viewpoint, Social Settings, Characters and Theatrical information.
- Pre show video for your students which will introduce them to the play, its literary genre and the cultural context.
Dean Crowe, Athlone: 24th-27th October 2017
Smock Alley Theatre, Dublin: 6th-10th November 2017
Firkin Crane, Cork City: 13th-17th November 2017
Smock Alley Theatre, Dublin: 27th November – 1st December 2017
Tickets: € 17 (Teachers complimentary)
Booking info: email@example.com
For programme queries or to speak directly to the Programme Coordinator contact The Gaiety School of Acting on 01 6799277
University College Cork’s Early Music Ensemble (directed by Simon MacHale) and Chamber Music Ensemble (directed by Dr Jillian Rogers) will perform a joint evening concert of chamber and consort music of the fifteenth to eighteenth century on Wednesday 10th May.
This free event will take place in the beautiful nineteenth century surroundings of St. Vincent’s Church, Cork city, at 7.30pm.
In mid-November 2015, the Irish Renaissance Seminar met in Marsh’s Library. The seminar theme “Time, Memory, and Commemoration” looked back back to the past but also looked expectantly to the future via an open discussion of plans for the Shakespeare quartercentenary. Many of the proposals which were aired at the meeting bore fruit and have been promoted and cataloged on this blog. My project “Celebrating Shakespeare 400: Performing Pericles, Prince of Tyre”, funded by the Irish Research Council New Foundations Scheme, was one of the final commemorative events in Irish universities in 2016.
The project’s primary aim was to make a unique contribution to the worldwide celebrations of Shakespeare 400. It sought too to inspire interest in Shakespeare’s lesser-known drama; to deepen our understanding of Shakespeare’s sources and his legacy; and to cultivate networks between scholars, theatre practitioners, and the general public. The project comprised a staged reading of Shakespeare’s critically-neglected late play Pericles, Prince of Tyre (c.1606) held in the Unitarian Church in Cork city, and a symposium and public lecture held in University College Cork.
Although unfamiliar to a general audience, Pericles proved to be ideally suited to performance as a staged reading. Story-telling is central to its dramaturgy and, as its narrator Gower insists, the tale is designed to “glad your ear and please your eyes”. As hoped, the performance introduced a new audience to this little-known Shakespearean romance. Part of this new audience included the cast of community actors – students from UCC Drama and Theatre Studies and the local LittleShoes drama group – as Pericles was unfamiliar to them and indeed most had never performed Shakespeare before. After just two days of rehearsals we were delighted to take to the stage, with our director Sinead Dunphy, to perform for a packed house. The reading had in fact sold out quickly and we even had to secure extra chairs on the night – as the British Council’s Shakespeare 400 programme suggested, it seems that “Shakespeare Lives…in Cork”!
The reading attracted a diverse audience which included the general public, as well as UCC staff and students of all levels. Cork is a designated UNESCO Learning City and both during and after the project, it was evident that the performance inspired an enthusiastic response from the city’s lifelong learners. The production was filmed and is available online here. A scholarly review of the production can be found on Dr Peter Kirwan’s Bardathon blog.
In addition to the IRC New Foundations funding, the project was also supported by UCC’s CACSSS Graduate School, the UCC Information Services Strategic Fund, and UCC’s School of English. This group of supporters were invaluable when it came to organising the symposium/graduate masterclass which explored Pericles, its sources, and critical and performative history, as well as issues relevant to the plot. With papers that addressed a wide range of topics including Old English, Middle English, neo-Latin, Shakespearean drama, gender studies, and Shakespeare on film, the interdisciplinary symposium explored and enhanced our understanding of Shakespeare, his influences, and his place in the literary canon.
The keynote public lecture, delivered by Dr Peter Kirwan (University of Nottingham), gave a rare insight into the herculean task of editing Pericles. The symposium concluded with a convivial roundtable on the performance of Pericles, involving the director, actors, and myself as project leader. Full details on the symposium’s schedule can be found here.
Report by Dr Edel Semple.
University College Cork will host Borderlines XXI in April 2017. The theme of this year’s conference is “Authority in the Medieval and Early Modern World”.
Postgraduates and early career scholars are most welcome to submit an abstract and attend this annual Medieval-Renaissance conference. The Call For Papers has been launched (see below) and the deadline for submission of abstracts is 3rd February 2017.
For updates and further details, see the Borderlines XXI blog here.
This year marks the 400th anniversary of Shakespeare’s death and commemorations have been taking place around the world to mark the occasion. University College Cork will make a unique contribution to this commemorative programme through the “Celebrating Shakespeare 400: Performing Pericles, Prince of Tyre” project. Funded by the Irish Research Council New Foundations scheme, the project comprises a public staged reading of Shakespeare’s Pericles (c.1606) and a symposium exploring this critically-neglected play. Notably, as far as records can determine, the play reading will be only the second ever performance of Pericles in Ireland and the first in Munster.
Led by Dr Edel Semple, Lecturer in Shakespeare Studies in UCC’s School of English, the project involves actors from UCC’s Drama and Theatre Studies and the LittleShoes Productions drama group, as well as scholars from UCC, the UK and USA. The play reading is directed by Sinéad Dunphy, a UCC graduate and Festival Manager of the Cork International Choral Festival.
The staged reading is a free but ticketed event and takes place on Monday 14th at 6pm in the Unitarian Church, Princes Street, Cork. The symposium exploring the play’s sources and critical and performance history, will take place on Tuesday 15th November in UCC, and will conclude with a special public lecture by Dr. Peter Kirwan (University of Nottingham).
Overall “Celebrating Shakespeare 400: Performing Pericles, Prince of Tyre” will explore and enhance our understanding of Shakespeare’s drama, his sources, the world he lived in, and his legacy; introduce his late drama to new audiences; and will make a distinctive contribution to the year-long global celebrations of Shakespeare’s life and work in 2016. For further info, please see the School of English website and social media (@EnglishUCC), and for queries contact Dr Edel Semple (email firstname.lastname@example.org).
The “Celebrating Shakespeare 400: Performing Pericles, Prince of Tyre” project is funded by the Irish Research Council New Foundations scheme, with additional support from UCC’s CACSSS Graduate School, the UCC Information Services Strategic Fund, and the School of English, University College Cork. The project is also part of the British Council’s Shakespeare Lives programme for 2016.
Tickets for staged reading of Pericles on Eventbrite here.
A detailed schedule for the symposium / graduate masterclass is available from UCC CACSSS Graduate School here (see event listed for 14-15th Nov.)