Theatre: Much Ado About Nothing, 3 – 7 July, St Enda’s Park, Rathfarnham

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From dlr Mill Theatre Dundrum:

Balally Players Summer Shakespeare will be performing Much Ado About Nothing by William Shakespeare outdoors in the beautiful walled garden of St Enda’s Park.

This witty and most popular comedy deals with the stormy loves of two couples: the confirmed bachelor Benedick and the spirited Beatrice, and the naive and innocent Hero and the gullible and hot-tempered Claudio.

While ‘the course of true love never did run smooth’, in Much Ado it is helped and hindered by friends and villains alike. As Hero says ‘some Cupid kills with arrows, some with traps’.

Full of wit and banter, fools, clowns and music, it has been described as “Shakespeare’s greatest sex-war comedy” (The Telegraph, 2017)

 

Book tickets online, or visit or phone the box office (+353 01 296 9340).

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Theatre: Much Ado About Nothing now playing at Smock Alley, Dublin

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Arclight Drama Studio

29 May – 2 Jun | 8PM | Boys’ School

Weaving wit, romance and comedy, Much Ado About Nothing is a whirlwind race to the finish line of “happily ever after”.

It is said that love conquers all, but not without a few battles along the way! Arclight Drama Studio have had a wonderful relationship with Shakespeare and have previously performed acclaimed productions of A Midsummer Night’s Dream, Hamlet, Macbeth and As You Like It.

They are delighted to bring one of the bard’s most enduring comedies to the Boys’ School stage at Smock Alley.

Running Time : 90mins + Interval

WRITTEN BY: William Shakespeare
DIRECTED BY: Paul Cullen
LIGHTING DESIGN BY: Brian Nutley
COSTUME DESIGN BY: Ciara Phelan
ASSISTANT DIRECTOR: Ellen Barnes
WARDROBE: Sia McManus
ORIGINAL MUSIC: Darragh Cullen

CAST: Raven Aflakete, Bruna Allen, Ellen Barnes, Laura Bracken, Eoghan Byrne, Mark Byrne, Ally Courtney, Darragh Cullen, Elaine Cullen, Eve Cullen, Paul Cullen, Ronan Cullen, Sarah Farrell, Rachel Fennell, Martha McKinney Perry, Coley McManus, Alan Nolan, Chloe O’Hanlon, Aoife O’Rourke, Ciara Phelan, Karl Timmins


Founded in 1992, Arclight have produced more than 60 plays in Ireland and have also performed internationally. This is their fourth time performing in Smock Alley after previously being here in 2013, 2016 and 2017 with their acclaimed productions of Macbeth, As You Like It and Our Town.

Tickets available at the Smock Alley website.

The Rehearsal, Playing the Dane at the Abbey Theatre now

Abbey Theatre

Pan Pan Theatre

23 – 26 May 2018

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In Pan Pan’s purgatorial presentation of Shakespeare’s classic tragedy, you the audience are faced with a choice: who is going to be, or not to be, Hamlet?

Actors compete to play the title role but as we enter the graveyard world of this icon of individualism can anyone escape playing the Dane? Aren’t we all the main part?

Highly innovative and visually breathtaking, this is an audacious and irreverent riff on Hamlet that does not so much update or deconstruct the play as explode it. Playing fast and loose with our familiarity and expectations, the onstage Director rations out Shakespeare’s text, knowingly excavating its layers in a series of theatrical devices and conceits that focuses the large cast, and the audience, on the existential plight of its characters.

Even the stage is a Hall of Mirrors and the play-within-a-play, enacted by a troupe of Dublin Youth Theatre members, is Hamlet itself.

Dates: 23 – 26 May
On the Abbey Stage

Times: Wed – Sat 7.30pm, Matinee Sat 2pm

Tickets: €13 – €45 / Conc. €13 – €30

Running Time: 2 hours including an interval

“The Winter’s Tale” at the Lir, Dublin

Performances at the Lir on Pearse Street, Dublin, from Friday 1st December until Thursday 7th December, at 7.30pm. Matinee: Monday 4th December, 1pm.
Tickets: €15 and €10 concession

The dark dramas of violent jealousy, sexual slander and death at the court of Sicilia, lead to a small baby girl being abandoned in the wild reaches of rural Bohemia. There, sixteen years later, the hot midsummer festivities are the background for delight, disguise and denunciation, which in turn carry the tale, replete with runaway lovers, a scalliwag, an old shepherd and his clown son back to Sicilia. The icy mourning of King Leontes begins to thaw as these two contrasting worlds meld, and in a magical finale full of revelations,  Shakespeare shows us his delight in such a vivid, motley collection of characters and his ultimate belief in forgiveness and redemption.

For more information on the production and to book tickets, see the Lir website here.

 

Gaiety School of Acting Shakespeare Schools Programme: King Lear (Cork and Dublin)

The Gaiety School of Acting Shakespeare Schools Programme presents King Lear. A run at Dean Crowe theatre in Athlone has already been completed, with dates remaining in Cork and Dublin cities at Firkin Crane and Smock Alley theatres respectively.

King Lear

The Gaiety School of Acting – The National Theatre School of Ireland is offering Leaving Cert. students a unique opportunity.

The Gaiety School of Acting is delighted to launch our 2017 production of King Lear. This production will travel to Smock Alley Theatre, Dublin, Firkin Crane, Cork and The Dean Crowe Theatre, Athlone from the 23rd of October to the 1st December.

This is the 5th year of our Shakespeare Schools programme and in 2016 we performed Hamlet for almost 6500 students from 130 schools. This means that almost 1 in every 9 students sitting their leaving Certificate English exams in June will have seen our production. We are excited to once again provide students with the opportunity to see Shakespeare’s work live.

Student tickets are €17 with all teachers tickets complimentary. Included in the ticket price is the following:

  • Traditional Production of King Lear (1.5 Hours).
  • Workshop (1 Hour) with a chance to engage with some of the cast about questions on the Leaving Cert, including relationships, characters and themes
  • Student Workbook with information on General Vision and Viewpoint, Social Settings, Characters and Theatrical information.
  • Pre show video for your students which will introduce them to the play, its literary genre and the cultural context.

Dates

Dean CroweAthlone24th-27th October 2017

Smock Alley Theatre, Dublin6th-10th November 2017

Firkin Crane, Cork City13th-17th November 2017

Smock Alley Theatre, Dublin: 27th November – 1st December 2017

Tickets: € 17 (Teachers complimentary)

Booking info: shakespeare@gaietyschool.com

For programme queries or to speak directly to the Programme Coordinator contact The Gaiety School of Acting on 01 6799277

Lecture: “Beyond the Book of Kells: Piers Plowman”, TCD, 7 November, 6.30pm

Beyond the Book of Kells: Piers Plowman

Beyond the Book of Kells: Piers Plowman

Tuesday, 7 November 2017, 6:30 – 8pm
Trinity College Long Room Hub

This lecture is part of a series entitled “Beyond the Book of Kells: The stories of eight other medieval manuscripts from the library of Trinity College Dublin.”

In this second talk of the series, Professor Simon Horobin from the University of Oxford will discuss TCD MS 212. This manuscript contains what is perhaps the great medieval English poem, William Langland’s Piers Plowman, an astonishingly rich and searching exploration of what it takes to live rightly in a society corrupt and corrupting. As befits a work of its quality, the poem survives in over fifty manuscripts; this, one of two in Trinity’s collection, is especially significant for containing early biographical information about the poet himself.

Further Information

To over 600,000 visitors a year, Trinity is synonymous with the Book of Kells. But that ninth-century manuscript is only part of the story. Ranging in date from the fifth century to the sixteenth, and with origins from across Western Europe, Trinity’s six hundred medieval manuscripts contain languages from Latin and Greek to Old Irish, Old English, Welsh, German, Dutch, Spanish, Italian, Provencal, and Vaudois. The texts embody in microcosm the entire gamut of medieval thought. This series of lectures from manuscript experts – Irish and international – will offer the public an opportunity to encounter eight other extraordinary books from Trinity’s collections, from the ninth-century Book of Armagh to a key manuscript of one of the great medieval English poets, William Langland.

The “Beyond the Book of Kells” lecture series is lead by Dr Mark Faulkner of Trinity College’s School of English. It is held as part of the Manuscript, Print, and Book Cultures research theme, in association with the Trinity Long Room Hub, the Faculty of Arts, Humanities, and Social Sciences, and the Library of Trinity College Dublin.

The manuscripts have been digitised to coincide with this lecture series.  For more information, please click here.

Campus LocationTrinity Long Room Hub
Accessibility: Yes
Room: Neill Lecture Theatre
Research Theme: Manuscript, Book and Print Culture
Event Type: Arts and Culture, Lectures and Seminars, Library, Public
Type of Event: One-time event
Audience: Undergrad, Postgrad, Alumni, Faculty & Staff, Public
Cost: Free
Contact Name: Mark Faulkner
Contact Emailmark.faulkner@tcd.ie
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