Exhibition: Readers & Reputations: The Reception and Circulation of Early Modern Women’s Writing, 1550-1700

The exhibition “Readers & Reputations: The Reception and Circulation of Early Modern Women’s Writing, 1550-1700” will be held in the foyer of the Hardiman Research Building, NUI Galway. The exhibition runs from 16th January to 2nd April 2020.

This exhibition showcases the work of RECIRC and is funded by the Irish Research Council. RECIRC is a 5 year project that has produced a large-scale, quantitative analysis of the reception and circulation of women’s writing from 1550 to 1700, and is funded by the European Research Council. For more on the project, see the RECIRC website, follow the project on Twitter at @RECIRC_ or contact the project’s Principal Investigator Prof Marie-Louise Coolahan.

Readers Reps NUIG exhibition 2020

CfP: “Translation and Transformation in the Medieval and Early Modern World” – Borderlines XXIV

Borderlines XXIV

“Translation and Transformation in the
Medieval and Early Modern World”

Postgraduate Conference in Medieval and Early Modern Studies

27-29th March 2020

University College Cork

 

University College Cork is delighted to announce the call for papers for the 24th annual Borderlines conference on the theme of “Translation and Transformation”. Borderlines XXIV invites abstracts of no more than 250 words on the theme of “Translation and Transformation”. Papers will be twenty minutes of length and can focus on one or both concepts.

We welcome submissions from postgraduates and early career researchers in any discipline relating to the medieval and early modern periods.

Borderlines XXIV invites papers that address the social, historical, literary, religious, and cultural significance of translation and transformation. We welcome papers from researchers in the fields of Anthropology, Archaeology, Codicology, Drama, Digital Humanities, Folklore, History, History of Art, Geography, Languages, Literature, Music, Palaeography, Philosophy, and Theology.

Topics may include, but are not limited to:

  • Translation and adaptation
  • Textual fluidity
  • Hybridity of form/perspective
  • Transformative experience
  • Translation as distortion
  • Physical transformation
  • Translation ethics
  • Cultural inertia

All submissions must be received by 3rd February 2020. Submissions must include: an abstract, short bio, and contact information. All submissions and queries can be directed to: BorderlinesXXIV@gmail.com.

Facebook: Borderlines XXIV      Twitter: @BorderlinesIE


 

Screening: “The Winter’s Tale” Branagh Theatre Live – encore

[Info from the ODEON Cinemas website.]

Due to phenomenal demand, The Winter’s Tale, Shakespeare’s timeless tragicomedy of obsession and redemption, returns to cinemas this festive season. This beautifully reimagined production,co-directed by Rob Ashford and Kenneth Branagh, features a remarkable cast including Dame Judi Dench as Paulina, alongside Tom Bateman, Jessie Buckley, Hadley Fraser, Miranda Raison and Sir Kenneth Branagh as Leontes.

King Leontes appears to have everything: power, wealth, a loving family and friends. But sexual jealousy sets in motion a chain of events with tragic consequences…This critically acclaimed production was the first in the hugely successful Kenneth Branagh Theatre Company Live season that was broadcast to cinemas from London’s Garrick Theatre over the course of a year in 2015.

Information on cinemas and dates/times is available on the Branagh Theatre Live website here.

View the trailer for the encore of The Winter’s Tale here.


 

Theatre: “Measure for Measure” at the Civic Theatre, Tallaght

[Info from Civic Theatre website.]

Measure for Measure

Civic Theatre, Tallaght, Dublin
3rd – 7th December 2019

 

Set in Vienna, Shakespeare’s Measure for Measure is a dark comedy in five acts and was written in the early 1600’s. Vienna is overrun with brothels and loose morality and when a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.

The themes run from religion, morality, virtue, sin, punishment, death, and atonement, with Shakespeare choosing moral justice to prevail over strict civil justice. Measure for Measure sheds a critical eye on the policing of society by a corrupt government and politics. Whether it be 1604 or 2019, this play has resonance in the 21st Century.

Presented by Liberties College, Bull Alley
Duration: 110 minutes. One interval.
Suitable for ages 14+

Tickets available from the Civic Theatre website.


 

Public talk: “Racialising Mortality in Early Visual Culture and the Shakespearean Stage” by Dr Farah Karim-Cooper – 3rd December 2019

“Racialising Mortality in Early Visual Culture and the Shakespearean Stage”

by Dr Farah Karim-Cooper

.

Tuesday 3rd December 2019, at 5pm, 

in the Samuel Beckett Theatre, Trinity College Dublin

 

As part of the Whitfield Visiting Lecture Series, Trinity’s School of Creative Arts and Department of Drama are proud to present Dr Farah Karim-Cooper (Head of Higher Education and Research, Shakespeare’s Globe, UK) speaking on death, race, and beauty.

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Dr Farah Karim-Cooper

Dr Karim-Cooper’s talk will focus on the representations of death that participate in the development of Renaissance ideals of beauty, virtue and racial superiority in Western Europe. It will pose questions such as: How are Early modern ideas of mortality shaped by encounters with non-white bodies and cultures? And how does Shakespearean tragedy allude to the iconographic polarities of racial distinction when staging death and dying?

Dr Karim-Cooper oversees the Higher Education programme and leads Research and scholarship at Shakespeare’s Globe. She is Visiting Research Fellow, King’s College London and co-convenes the King’s/Globe joint MA in Shakespeare Studies. She was the 2013 Lloyd Davis Visiting Professor at the University of Queensland, a Trustee of the Shakespeare Association of America and Chair of the Globe Architecture Research Group that led the research into the Sam Wanamaker Playhouse. She is frequently a keynote speaker and panellist at national and international conferences on Shakespeare, Renaissance drama, early modern culture and theatre practice. Farah curated the Shakespeare and Race Festival in August 2018. Her research interests are theatre history, feminism, critical race theory and performance. Farah is the author of Cosmetics in Shakespearean and Renaissance Drama, revised edition (EUP, 2019), The Hand on the Shakespearean Stage (Bloomsbury, 2016) and Titus Andronicus: The State of Play (Bloomsbury, 2019). She is currently working on a book on Shakespeare, Race and Death and editing The Duchess of Malfi for the Routledge Anthology of Early Modern Drama (forthcoming 2020).

Dr Karim-Cooper’s talk will be followed by the launch of Shakespeare’s Body Language: Shaming Gestures and Gender Politics on the Renaissance Stage, written by Dr Miranda Fay Thomas (Assist. Prof. in Drama, Trinity College Dublin) from 6pm in the Samuel Beckett Theatre Foyer, TCD.

MFT Shakespeares Body Lanaguage book Arden 2019


 

 

Winter School: Archival Research Skills and Book History, 2-3rd December, University of Limerick

The Centre for Early Modern Studies, Limerick, presents the 2nd Winter School in Archival Research Skills & Book History 2nd – 3rd December 2019

Supported by the AHSS Teaching Board

 

Venue: University of Limerick, Glucksman Library GLO – 068 (unless otherwise indicated)

Monday 2nd December

9.30 am  Welcome / Opening of Winter School
10-11am  Olivia Lardner, Glucksman Library: “The hunter, Martin Luther, and some griffons: aesthetics of the Bolton Library”
11-11.30 Tea Break
11.30-12.30 Dr Kirsten Mulrennan & Sinéad Keogh, Glucksman Library: “Digital Approaches to Early Modern Works”
12.30-1.30 Lunch
1.30-2.30  Dr Aengus Finnegan, School of English, Irish, and Communication, UL: “Researching Irish Placenames, Surnames and Personal Names ­: An Introduction to the Major Sources”
2.30-3pm Lunch
3-4pm  Dr Coleman Dennehy, Department of History, UL: “The printed case as a source for Irish legal history…..and so much more”
5.15pm  3rd Annual Bolton-King Lecture

Professor James Raven (University of Essex, University of Cambridge)
“Mermaids and Sea Monsters: A Global Book Biography and the Irish and Enlightenment Reception of Erik Pontoppidan and his Natural History of Norway”
Chair: Dr Christina Morin

Tuesday 3rd December

10-11am Prof Michael J. Griffin, School of English, Irish, and Communication: “Editing Irish Verse in English in the Eighteenth Century”
11-11.30 Tea Break
11.30-12.30 Dr Clodagh Tait, Department of History, MIC: “Records of Urban Ireland: The Curious Case of the Sextons of Limerick”
12.30-1.30 Lunch
1.30-2.30 Josefin Jiminez, Glucksman Library: “Conservation priorities for the Bolton Library”
2.30-3pm Tea Break
3-4pm Dr Alistair Malcolm, Department of History: “Spanish book preliminaries and dedications in the seventeenth century”
4pm Closing Address: Professor Kerstin Mey, Vice President Academic Affairs & Student Engagement
c. 4.30 Printing Workshop / Demonstration (venue TBC)

To register for this event, please visit this webpage.

General queries may be emailed to: earlymodernstudies@ul.ie

centre_for_early_modern_studies_limerick_logo_lowres_for_screen


 

Touring theatre: Much Ado About Nothing by Rough Magic

From the Rough Magic website.

This month, one of Ireland’s leading theatre companies, Rough Magic will embark on a national tour of Much Ado About Nothing by William Shakespeare.

Set on the deck of a deluxe mobile home this festive production of deception and excess, sparkling wit and linguistic exuberance asks – can we ever truly know the people we love?

On it’s premiere performance in Kilkenny Arts Festival (summer 2019), the Irish Independent called this production “boisterous and intelligent” and “a hugely enjoyable and timeless treat.” The Irish Times gave it ★★★★ and the Kilkenny People called it the “funniest show in the city for years”.

Ticket info available on the weblinks below.

Dates Venues
9th November Siamsa Tíre, Tralee
12th-13th  November
(With a post-show talk on Tues 12th.)
The Everyman, Cork
15th November Theatre Royal, Waterford
18th November An Grianán, Letterkenny
20th November Backstage Theatre, Longford
22th November Lime Tree Theatre, Limerick

Directed by: Ronan Phelan

Cast: Clare Barrett, Venetia Bowe, Peter Corboy, Maeve Fitzgerald, Patrick Martins, Margaret McAuliffe, Jack Mullarkey, Shane O’Regan & Conor O’Riordan

Set Design: Sabine Dargent                Lighting Design: Sarah Jane Shiels

Costume Design: Catherine Fay          Sound Design: Denis Clohessy

Rough-Magic 2019 Much Ado - Leonata

Leonata in Rough Magic’s Much Ado (Credit: Rough Magic website)