Free screening of Kaliyattam (based on Othello) – Indian Shakespeares project

As part of the Indian Shakespeares project at Queen’s University Belfast, a free screening of the 1997 Malayalam language film Kaliyattam (based on Shakespeare’s Othello) will be held on Friday 20th September.

The film with English subtitles will be screened at 3pm in QUB’s Lanyon Building, Room 0G/074, and will be followed by a Q&A with National Film Award-winning director Jayaraj.

For more on the Indian Shakespeares project and upcoming conference, see the project website here.

Women and Indian Shakespeares conference 2019.jpg

 

Women and Indian Shakespeares – conference CFP

CALL FOR PAPERS

Women and Indian Shakespeares:
Exploring cinema, translation, performance

30 October – 1 November 2019
Queen’s University, Belfast

 

Indian Shakespeares is an established field of study, but no international conference has yet centralised the issue of the female in Indian Shakespeares. Recent feminist works include the retelling of King Lear in Sangeeta Datta’s film Life Goes On (2010) or in Preti Taneja’s novel We That Are Young (2017), Romeo and Juliet in Arshinagar (dir. Aparna Sen) or Bornila Chatterjee’s 2016 film adaptation of Titus Andronicus, The Hungry. Indeed, it has been argued that the women in Vishal Bhardwaj’s celebrated hero-centric film trilogy possess transformative agency. Such works have continued to reshape the debate surrounding the role of women.

This conference thus emerges in the context of these retellings and recent historical events in India and worldwide. It aims to explore uncharted territory, bringing together researchers and practitioners to establish the state of current scholarship in this vibrant, under-examined field. We invite proposals for 20-minute papers, panels, workshops and creative approaches on any aspect of Women and Indian Shakespeares. Alternative presentations are also equally welcome, such as film shorts, film scripts, etc.

Contributions are invited on any of the following aspects of the topic:
* Depictions of women in Indian Shakespeares on screen or on stage
* Indian female practitioners of Shakespeare
* Female Indian diasporic practitioners of Shakespeare
* Examinations of cross-dressed women
* Examinations of cross-gendered casting
* Transgender women in Indian Shakespeares
* LGBTQ Indian Shakespeares
* Feminist theory and intersectionality in relation to Indian Shakespeares
* Issues of caste in relation to women and Indian Shakespeares
* Regional perspectives and representations of women
* Challenges of researching Women and Indian Shakespeares

200-300 word abstracts for works to be presented at the conference should be sent by 1st April 2019. Together with the abstract, participants are invited to send a brief (up to 100 words) bio stating their affiliation, research interests and relevant academic output. Decisions will be made by 1 June 2019. Both abstracts and bios should be sent in Word or PDF format to: indianshakespeares@gmail.com If accepted, abstracts will be circulated among conference participants in advance of the event. Auditors are also welcome to attend, but priority will be given to those presenting.

Confirmed speakers include:

  • Prof. Paromita Chakravarti (Jadavpur University)
  • Ms. Bornila Chatterjee (filmmaker, The Hungry )
  • Ms. Sangeeta Datta (filmmaker, Life Goes On )
  • Dr. Sreedevi Nair (NSS College for Women)
  • Prof. Jyotsna Singh (Michigan State University)
  • Dr. Poonam Trivedi (formerly Delhi University)

Organising Committee (Queen’s University, Belfast):
Dr. Thea Buckley, Leverhulme Early Career Research Fellow (co-chair)
Dr. Rosa García Periago, Marie Curie Research Fellow (co-chair)
Prof. Mark Thornton Burnett (consultant)

Leverhulme_Trust logo QUB logo Marie Curie_logo_


 

Tudor & Stuart Ireland Interdisciplinary Conference at Queen’s University Belfast

The 8th Annual Tudor & Stuart Ireland Interdisciplinary Conference will take place at Queen’s University, Belfast on 24 – 25 August 2018

The programme for this year’s conference is available to download here.

Plenary addresses will be delivered by Dr David Edwards (University College Cork) and Dr Deana Rankin (Royal Holloway, University of London).

Registration for this year’s conference is now open.

  • Registration Only (Student/Unwaged): £15
  • Registration Only (Full Fee): £25
  • Registration and Conference Dinner (Student/Unwaged): £42.50
  • Registration and Conference Dinner (Full Fee): £52.50

Online registration is available via the QUB online portal. Please see the TSI conference webpage for details on how to register.

Contact: If you have any queries relating to this year’s conference, please email the organisers at: 2018@tudorstuartireland.com

Info from TSI website.

tsi-conference-poster-2018

British Shakespeare Association Conference at Queen’s University Belfast, 14-17th June

[Quoted from BSA website.]

2018 BSA Conference – 14-17th June 2018 at Queen’s University Belfast

Following on from the 2016 celebrations, the 2018 BSA conference offers an opportunity for academics, practitioners enthusiasts and teachers (primary, secondary and sixth- form teachers and college lecturers) to reflect upon Shakespeare Studies today.

What does Shakespeare Studies mean in the here-and-now? What are the current and anticipated directions in such diverse fields of enquiry as Shakespeare and pedagogy, Shakespeare and race, Shakespeare and the body, Shakespeare and childhood, Shakespeare and religion, Shakespeare and economics, Shakespeare and the law, Shakespeare and emotion, Shakespeare and politics, Shakespeare and war and Shakespeare and the environment? What is Shakespeare’s place inside the curriculum and inside debates around theory, queer studies and feminism? Where are we in terms of editing and materiality, and where does Shakespeare sit alongside his contemporaries, male and female? How does theatre practice, performance history, adaptation, cinema and citation figure in ever evolving Shakespeare Studies?

In particular, this conference is keen to explore the challenges facing Shakespeare Studies today and to reflect on newer emergent approaches. 

Plenary Speakers include: Prof. Pascale Aebischer (University of Exeter), Prof. Clara Calvo (University of Murcia), Prof. Richard Dutton (Queen’s University Belfast), Prof. Courtney Lehmann (University of the Pacific), and Prof. Ayanna Thompson (George Washington University).

UK Premieres include: Veeram (dir. Jayaraj, 2016), a South Indian film adaptation of Macbeth, and Hermia and Helena (dir. Matías Piñeiro, 2016), an Argentine adaptation of A Midsummer Night’s Dream.

BSA 2018 also includes: Q+As with theatre director Andrea Montgomery (The Belfast Tempest, 2016) and film directors Jayaraj and Matías Piñeiro.

For more information contact BSA2018@qub.ac.uk

For details on the programme,etc. and to register, see QUB website here.

[Quoted from BSA website.]

[Image from The Belfast Tempest (dir. Andrea Montgomery, 2016), Terra Nova Productions. Courtesy of Neil Harrison (models Sean Brown and Louise Parker).]


 

CFP: Borderlines XXII: Sickness, Strife, and Suffering at Queen’s University Belfast 2018

Call for papers for Borderlines XXII: Sickness, Strife, and Suffering. This conference will be held from 13-15th April 2018 at Queen’s University Belfast.

Proposals for both papers and panels are welcomed from postgraduate and postdoctoral researchers in the fields of both Medieval and Early Modern studies.

Sickness, strife and suffering punctuate many medieval and early-modern narratives. When viewed by the modern eye, however, these experiences can be difficult to comprehend and empathise with, without resorting to anachronisms. Indeed, in her landmark treatise on pain, Elaine Scarry contests that ‘[p]hysical pain does not simply resist language but actively destroys it’ (Scarry, 1985: 4), thus rendering any description or explanation of pain practically impossible, regardless of era.

In the light of Scarry’s work, the specific difficulties posed by the expression and understanding of pain in the Middle Ages have been expounded upon and theorised by numerous scholars. Esther Cohen’s work on the various symbolisms of medieval pain (Cohen, 2010), in addition to Robert Mills’ adumbration of translative pain theories, mapping the medieval experience of pain onto that of the current day and vice versa (Mills, 2005), are just two examples of scholarship exploring this fascinating area of research connecting the human experience of the present with that of the past.

It is in this light that we are pleased to invite abstracts of ca. 250 words related to pain in the Middle Ages and early modern period. Topics may include but are not limited to:

  • Collective pain
  • Depictions of pain
  • Explanations of pain
  • Judicial literature
  • Medical literature
  • Memory and painNarratives of suffering
  • Pain and creativity
  • Pain and pleasure
  • Psychological pain
  • Social pain
  • Religious literature
  • Suffering in the afterlife

Please send all abstracts (along with a short academic biography) to borderlinesxxii@gmail.com by 5th February 2018.

Call for Papers: British Shakespeare Association, Queen’s Belfast, 2018

CALL FOR PAPERS

Shakespeare Studies Today

Queen’s University Belfast, 14-17 June 2018 (BSA2018@qub.ac.uk)

The Belfast Tempest

Shakespeare Studies is one of the most rich and dynamic areas of interdisciplinary enquiry. It embraces historical explorations of Shakespeare’s canon, ranges across four hundred years of world theatre and performance history, and is continually renewed by Shakespeare’s iconic status in contemporary culture, film and media. Shakespeare draws together academics, teachers, theatre professionals, practitioners, readers and enthusiasts. At the same time, Shakespeare is a global commodity, reinvented in every culture and nation, meaning that his work prompts world-wide conversation. Following on from the 2016 celebrations, the 2018 BSA conference offers an opportunity for academics, practitioners enthusiasts and teachers (primary, secondary and sixth- form teachers and college lecturers) to reflect upon Shakespeare Studies today. What does Shakespeare Studies mean in the here-and-now? What are the current and anticipated directions in such diverse fields of enquiry as Shakespeare and pedagogy, Shakespeare and race, Shakespeare and the body, Shakespeare and childhood, Shakespeare and religion, Shakespeare and economics, Shakespeare and the law, Shakespeare and emotion, Shakespeare and politics, Shakespeare and war and Shakespeare and the environment? What is Shakespeare’s place inside the curriculum and inside debates around theory, queer studies and feminism? Where are we in terms of editing and materiality, and where does Shakespeare sit alongside his contemporaries, male and female? How does theatre practice, performance history, adaptation, cinema and citation figure in ever evolving Shakespeare Studies? In particular, this conference is keen to explore the challenges facing Shakespeare Studies today and to reflect on newer emergent approaches. Reflections on past practices and their reinventions for the future are also warmly welcomed.

Plenary Speakers include: Prof. Pascale Aebischer (University of Exeter), Prof. Clara Calvo (University of Murcia), Prof. Richard Dutton (Queen’s University Belfast), Prof. Courtney Lehmann (University of the Pacific) and Prof. Ayanna Thompson (George Washington University).

UK Premieres include: Veeram (dir. Jayaraj, 2016), a South Indian film adaptation of Macbeth, and Hermia and Helena (dir. Matías Piñeiro, 2016), an Argentine adaptation of A Midsummer Night’s Dream.

BSA 2018 also includes: Q+As with theatre director Andrea Montgomery (The Belfast Tempest, 2016) and film directors Jayaraj and Matías Piñeiro.

There are four ways to participate in BSA 2018:

  1. Submit an abstract for a 20-minute paper. Abstracts (100 words) and a short biography to be submitted by 1 October 2017 to BSA2018@qub.ac.uk
  2. Submit a proposal for a panel session consisting of three 20-minute papers. Abstracts for all three papers (100 words each), a rationale for the panel (100 words) and short speaker biographies to be submitted by 1 October 2017 to BSA2018@qub.ac.uk
  3. Submit a proposal for a performance / practice or education workshop or a teachers’ INSET session. For a workshop, submit a summary proposal outlining aims and activities and a biographical statement. For an INSET session (either a one-hour event or a twenty-minute slot), submit a summary proposal and biographical statement. All proposals to be submitted by 1 October 2017 to BSA2018@qub.ac.uk
  4. Submit an abstract to join a seminar. The seminar format involves circulating a short paper in advance of the conference and then meeting to discuss all of the papers in Belfast. Abstracts (100 words), a short biography and a statement of your seminar of preference to be submitted by 1 October 2017 to BSA2018@qub.ac.ukSeminars include:

Digital Shakespeare: Histories/Resources/Methods’ led by Dr Stephen O’Neill (Maynooth University);

Shakespeare and Act/Scene Division’ led by Dr Mark Hutchings (University of Reading);

‘Shakespeare and the Book Today’ led by Prof. Emma Smith (Hertford College, Oxford);

‘Shakespeare and his Contemporaries’ led by Dr Lucy Munro (King’s College, London);

Shakespeare and Early Modern Playing Spaces’ led by Prof. Richard Dutton (Queen’s University Belfast);

‘Shakespeare and Europe’ led by Prof. Andrew Hiscock (Bangor University) and Prof. Natalie Vienne-Guerrin (University of Montpellier III-Paul Valéry);

Shakespeare and Film’ led by Dr Romano Mullin (Queen’s University Belfast);

‘Shakespeare and Marx’ led by Dr Matt Williamson (Queen’s University Belfast);

‘Shakespeare and Morality’ led by Dr Neema Parvini (University of Surrey);

‘Shakespeare and Pedagogy’ led by Dr Lindzy Brady (University of Sydney) and Dr Kate Flaherty (Australian National University);

‘Shakespeare, Performance and the 21st Century’ led by Dr Erin Sullivan (Shakespeare Institute, the University of Birmingham);

‘Shakespeare and Religion’ led by Dr Adrian Streete (University of Glasgow);

‘Women, Shakespeare and Performance’, led by Prof. Liz Schafer (Royal Holloway, University of London)

A number of Postgraduate / Practitioner / Teacher Bursaries will be available to cover the conference fee. When you submit your abstract / proposal, please indicate if you would like to apply for one of these and if you would like to attend all of the conference or Saturday only.

 

The BSA is proud to announce its next the locations, institutional partners and themes of its next three conferences:

Shakespeare Studies Today, 14-17 June 2018, Queen’s University, Belfast

Shakespeare: Race and Nation, July 2019, Swansea University

Shakespeare in Action, July 2020, University of Surrey

The BSA is pleased to invite proposals to host our 2021 conference.

To apply, send a completed proposal form to events@britishshakespeare.ws

Download the Proposal Form

More info: http://www.britishshakespeare.ws/conference/

Job: Research Fellow – Performing Restoration Shakespeare

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Research Fellow – Performing Restoration Shakespeare

Queen’s University Belfast – School of Arts, English and Languages

This post is available for three years to be an active member of the AHRC-funded research project ‘Performing Restoration Shakespeare’, assisting the Principal Investigator (Professor Richard Schoch, Queen’s University Belfast) and the International Co-Investigator (Professor Amanda Eubanks Winkler, Syracuse University, USA) in the planning, delivery and evaluation of research and impact activities.

Anticipated interview date: Wednesday 7 December 2016

Apply online at www.qub.ac.uk/jobs. For further information or assistance contact the Personnel Department, Queen’s University Belfast, BT7 1NN. Telephone (028) 9097 3044 or email on personnel@qub.ac.uk.

The University is committed to equality of opportunity and to selection on merit.  It therefore welcomes applications from all sections of society and particularly welcomes applications from people with a disability.

From: www.jobs.ac.uk/job/AUX427/research-fellow-performing-restoration-shakespeare